Villanova has breath ... and will, to add a light and inspiration you get a result that is a credit, a result opposite to his innate modesty, that is valuable.
Prof. Pino Zanchi
With realistic sense ... relies on visions landscape with a veritable explosion of colors and sharpness.
Prof. Enzo Passoni
... A force that emanates from his works, a force that involves the inside of an emotional charge and sensitivity particularly rich and refined.
Prof. G. Scaramellini
In portrait ... has a process where the painting comes from a more dense and deep tap the domestic terms of similarity.
Prof. Mario Novi
Villanova ... The painting is not that of the skyscrapers and mechanical cranes, the heart did not reggerebbe in such squalor, but rather that of low houses with peeling paint on the walls or the splendid Venetian landscape. Some paintings for their precious style are back to mind dear old masterpieces of our nineteenth century.
Prof. A. Montanari
The landscape painted by Villanova is changeable and capricious. He impresses all with unconscious impulse, garnish with dark contours from which burst blazing lights, the distant horizon, over a sea of ancient color. In this way, the artist interprets the beauty of his country, with that magic touch of poetry that makes the pictorial work of a sublime hymn to Villanova.
Prof. Enzo Wolves
Figurative painter, inspired by nature in all its forms, Aurelio Villanova has never attempted the adventures of a vanguard from which nature recoils as free from intellectual complications led him rather to be reflected in a poem of pure extraction Valley. It is not in him a reflux of reasons Impressionist and Expressionist, but are within the limits of a lyrical inspiration. He approaches the object of his emotion with extreme simplicity and purity of mind, which is why his works always have a fresh example of spontaneity.
Prof. Mario Monteverdi
Aurelio Villanova: a young man who puts his youth in his paintings, works full force impetuously youthful and virile.
He has held many solo exhibitions. He got the first prize of the painters Via Bagutta.
He has a business card rather respectable words.
It is mainly dark tones that give strength to the pictures of Villanova and that gives it a real concentrated living drama
A force emanating from his works, a force that involves the inside of an emotional charge and sensitivity particularly rich and refined. Force and motion are also in the picture that is shown above.
Prof. Guido Scaramellini
Much of the character of the painting bears the imprint of Aurelio Villanova Treviso and Veneto, the love for nature, people, life, are evident in the strong and broad brushwork, color decided softer in the last horizon, almost indicate the filter of fantasy and memory in the landscape, the mountains, the valleys, in the sky. Light and color come together to interpret the beauty of nature, the intimate of a woman's face, the image of a sleepy canal, a sea of indigo color. The stretch safe portrays a real world, without inhibition or hesitation. Considerable merit in a world where uncertainty and ambiguity often ended up denying the values and merits and only the proponents of this world can deny the art of Villanova.
Prof. Conti M.Fiorella
Aurelio Villanova ... The painting draws from the reality and the world of living things his inspiration, taking shape and substance from the hazy landscape of Lombardy, the sleepy canals of the lagoon from the rolling hills and fresh meadows, rivers and valleys , from the heavens and from the mountains, from every aspect and live in the depths of nature which is imprinted a strong sign of man as a universal and eternal presence ...
Prof. Enotrio Mastroleonardo
And ... 'sure that the pictorial Aurelio Villanova rich palette of sounds are rooted deep in his aggression and there is a real momentum that cancels out any unnecessary stop to the plan for a summary of things in the springing of the narrative discovery of their poetic vitality.
Professor Alfio Coccia
They are ... the dark tones that give strength to the pictures of Villanova, giving a focused atmosphere of living drama. A force that emanates from his works, a force that involves the inside of an emotional charge and sensitivity particularly rich and refined ...
M.Sirtori Bolis - Courier Artists
Painting a strong emotional impact, experienced and decoded the superfluous and time that discloses the nature and substance of the sentimento.Pittura that enhances the color layering in the manual refined, elegant, embroidered in shades of an artist who has blood in his painting and that is' a personal history of his works to be relived to recover the time or just do not forget. Landscapes stopped their movement in the challenge of degradation to accentuate the beauty of simplicity and strength of the place, or rather the "locus" as a space of the soul or mind of their own but always vissuto.Specchi water beautiful break the silence and quiet for us to breathe the romantic melancholy that each holds in his heart to stop an emotion. Case mute but full of life, of feeling, of endless stories that leave their mark as the color, the pigment of this artist who in my opinion tells a story that will not go on forever dragging us through his work in the charm of the mystery of painting has no secrets for him.
Dr. R.Aracri Art Critic
Color, which emerges from a dark background tending however, now to be brighter, suggests a sense of affection, a thin vein of cordiality: and it is the light that performs to such a task. Just in the identification of a meeting between color and light began a new phase of painting Aurelio Villanova: this is not his impressionism no reflexes expressionistic, but so simple and natural to reconnect it to the more straightforward strand of our traditions Po.
Prof. Mario Monteverdi
Not all artists take the place they deserve in view of the criticism and the knowledge of their name and their work among those who are interested in art, both among the fans who among collectors. This is due to various circumstances and particular factors independent of the value and quality of the artist, as the situation in which he lives, the cultural climate in which the interests of the merchants, and it is also necessary to say, the game of certain critical .
This must be said not only for those in the market scale and reputation, are not among the first, but also for those who on this same scale occupy the upper echelons. And, at times, is naturally to think that if the positions were reversed, would not be the case to kick up a fuss, indeed, because the scale of real values would contain much more worthily placed higher up on the steps some of the lesser known artists many other favorites of the reputation and the market.
It is the case of the painter Aurelio Villanova, which, compared to other artists of his generation that are all the rage, ought, by critics and the so-called official art market, much more than I have got so far. Among the circumstances and factors that determine the situations described above, must be added for Aurelio Villanova, his character, which is not, however, understand me well, the artist solitary and misanthropic, indeed, he as a true Venetian, is quite the opposite man for companionship and good conversationalist. But it is precisely for this character so open and friendly that he is not led in any way to go after critics, merchants and collectors like many others.
Villanova just think to paint, to fix on the canvas, with the signs and colors, impressions and immediate educated about the real lives. He is a painter, not an accountant. All it does is because it is suggested by his spirit and his beliefs, not a calculation or preordained for a particular purpose. When happy with a pictorial result, believes that this is more than enough to repay his concerns, his sufferings and his work. Should not and do not want to paint according to the fashions and tastes always fluctuating art today and the times in which we live.
It is a real world and human life in which we feel with all our feelings and our emotions, Villanova filtered through his imagination and his spirit, transforming everything with the reality of life in certain elements of painting with a design summary and a warm color, intense and on, where, in addition to the original Venetian root, we find precise data of a European culture significantly absorbed and returned with a fresh and spontaneous impetus by means of a large brush and penetrating, that we see the signs of a well-defined artistic personality.
Prof. Enotrio Mastrolonardo
The privilege of being born in the Treviso has certainly played its part in the vocation and training instinctive Aurelio Villanova.
Not by chance that his paintings are characterized with hot paint, innervated by dark tones otherwise empty. One way of transcription sensual that at the time when it becomes fact constructive and soul of things, assumes a fast vibrancy. We are facing the foothills of a post-impressionism attentive to objective truth, but able to keep in constant contact with subtle findings lyrics, illuminating with a flicker of light on the different intensity of his way to press down the painting process, gives , the natural scenery and objects easier, changing a bulb, but the participant still the same fire great. Although not totally share the hints complacent and ambitious of those who dare to speak of a set of colors that you can feel the tradition of the great Venetian painting, it is certain that the pictorial Aurelio Villanova is rich, the sounds of the palette are deep rooted and His aggression is a real momentum that cancels out any unnecessary stop to the plan for a summary springing from the narration of things to discover their poetic vitality.
Occasionally, however, the reflections of muddy.
Me is the turn cloudy with a sensuality and authentic inarginata which is reflected in his act of possession.
There is a constant ratio between the conquest of the theme and the transcription of sensations converge in the contemporary creation of pictorial space.
It 's so happens that establish a spontaneous value of direct succession between the sudden large comprehensive perspective and visual reality, when the shorthand becomes arabesque and synthesis comes from a different musical measures but concorrete participation, also prompted by a very vital instinct: imagination and memory.
Neither the fantasy never erase the reality, as it never happens that the speed of writing ottenebri the innate sense of formal elegance, which is a result inherent in the way that he has to lead the brush sciabolando the hot flushes of color.
All this leads to a redundancy baroque, less noticeable in portraits dominated by a desire precise and discovered that it is to get to the essence of form with minimal notations descrittivistiche and taking of solid construction than to the wisdom of light and shadow play, from which it is however always fascinated and that end up refuge in the environment in which the figure is framed.
Here is the explosion of a temperament aware of its full earthiness, while the romantic landscape modulates reasons just mentioned in a language of color thick and dense.
Professor Alfio Coccia
Curriculum by impetuous vortex to Aurelio Villanova both talent (what matters most)
that for long-lived hyperactivity
let's leave the rest to the eyes and the heart, to read the "glittering music" of his paintings.
Painter Mario Sisana
Research Master's Aurelio Villanova has always been to transcribe emotions and personal feelings through the universal language of art and painting.
Various techniques were experienced by this artist and many of the topics covered in these years in his long career as a painter, which began during the second world conflict.
Interesting are his works: still lifes, portraits, landscapes, panoramic views of seemingly empty city, where the old buildings in them as statues are the witnesses of passing time.
The paintings of Villanova are pieces of a personal mosaic where each "tile" is an episode of real life and a reminder, his painting is also measured and pleasant, intense in some highlights environment, never dull or superficial.
Aurelio Villanova love the tones of an analytical representation and meditative, with a taste of the narrative in which you retrieve the sense of historical memory and popular.
The constant pursuit of his pictorial work is, in fact, the balance between reality and thought, between extreme view and sentimento.Rende so tangible forms of purity plant sketching and clear phrasing of colors, now soft, now vibrant, according to a smart metering.
It also hints at his emotions, cross it serene atmosphere created transparency, proportionality with that lyrical tone, in keeping with the suggestions of fantasy and inner sensitivity.
Raffaele De Salvatore
Critic, Journalist and Director of "Euroarte."
The extraction of Po Aurelio Villanova I discovered in one of his paintings entitled "Ship", which probably depicts a glimpse dell'Alzaia Naviglio Pavese ", near the dock in Milan.
With those bright colors that illuminate the water and the sky, a concept far from gloomy and foggy weather in Milan, but optimistically represented by this painting or others, such as "Alley 'soap", always on the Naviglio in Milan and "Old Square" of Bergamo. Nobody in the world had represented, in this climate of joy of color, a glimpse of Milan. My friend Monteverdi he knew immediately when he says that he does not miss reflux reasons Impressionists, contained within a lyrical inspiration. The painting of Aurelio Villanova is a slow path to the identity of drawing and painting, in other words to a painting in which the forms are drawn from the color directly on the canvas, to get more vibrations of light and atmosphere. In essence it is a maturation achieved through practice and experience.
Works such as "Watermelon", "Carnations and roses", "composition", "Flower Pot" or "Poppies and violets," make us see how the inspiration for this artist comes to be "as clear as spring water" and some of its atmosphere, with very personal graduation of colors, accents buy large elegy where the predominant effect sentimental. The encounter with the real sun and clear sky helping Villanova to bring to light a world final, that need for a new palette dedicated to the brighter ones, where the painting absorbs the design and becomes a kaleidoscope of colors. The works of Aurelio Villanova are made with a painting now fast, now made up of sediments of color pastes, now brush strokes to Bonnard, but always full of light. The undoubted ease of the hand of this artist is able to soak up the poetry and spontaneity.
Villanova, as a painter of race, uses color to give shape to his compositions, almost look like abstract faces, with no intention of composition.
This is especially pressing in Villanova spectacle of color, to reach which is also willing to push scans his representation to the edge of abstraction, such as "Composition" or "Carnations and roses", but also the spectacle of forms, to reach which is not afraid to deform and move expressionistically images, where the line pictorial allusion to the design is absorbed by the rhythmic strokes of color, without falling in the informal pure.
Aurelio Villanova is the "painter of color and optimism", a character who has been able to shape his life as a man with the characteristics of pure artist.
Eraldo di Vita
(Art Critic)
A true artist can always try "wonder" when a vibration that repeats always remains magnificent in the transformation of the pictorial gesture in emotion.
Gesture which consists harmonizing the work, pass and iris of Our infinite sensations.
This is the wonder that is happy to try Aurelio Villanova, tireless in spreading the words that resonate with the voice of her art.
I extend listening may serve only in part.
The completeness of the message will never be caught.
Need to "hear" and "see" through his own inner life to empathize with the new dimension in which dance magically sense of expressiveness.
The bold strokes, composition and net significant colors will not call any defense.
The work does not burn in the involvement of the moment exhausting its ephemeral presence to the memory of the look.
The alchemy is easy eschewed clearly peremptory unveiled the Master posed with secret abilities.
As if to protect this fragile balance, Villanova, thereby maintaining her art untouched by any assault noisy and superficial.
What surprises us in His works are the steps soft and subtle presence that materialize to Our unpublished expectations.
Happy feelings take shape.
Meditations sincere and serene with which we return to dialogue, are once again familiar.
Villanova pursues with the simplicity that is its own, a long, sincere moment within.
In a thoughtful, brings us intimately to find the sincerity of being alive.
A True Artist.
Paolo Piergiovanni
Great man, supreme master of art and life.
A man who is himself a great work of art.
Suffice it to observe how skillfully he captures what is bewitching art has been the essence of itself, and that can make them feel not only to those who love her, but universal wholeness, in its various forms, not statically "fixed" at a single point, caressing the senses, leaving a trail unobtrusive but perpetual, blinding (the works "sunflowers", "puppies", "high city" are a clear example).
And this name is worthy man Villanova, who took the case to 360 ° of the world and of the human soul, yes so versatile and painted in various shades that few have been able to distinguish and represent.
The Master had the art itself in its most sublime ... could range from various styles and techniques, taking advantage of the natural light and colors of the moment, in the vividness of emotion that very few have been able to see .... a realist, to put it in a literary sense in an impressionist art, a canvas where her eyes give dimensions, brush his whole being, to be able to express ... And all his work is a contemplation of perfection, the apotheosis of beauty, a wonderful blend of romance explosion of colors and delirious sensory traits sometimes fast and precise, others soft, feathery ... what I would call ecstatic.
Thank you, Master!
Estimation with Infinite.
Sonia Martina Laudani
